### WordPress - Web publishing software
Copyright 2011-2019 by the contributors
This program is free software; you can redistribute it and/or modify
it under the terms of the GNU General Public License as published by
the Free Software Foundation; either version 2 of the License, or
(at your option) any later version.
This program is distributed in the hope that it will be useful,
but WITHOUT ANY WARRANTY; without even the implied warranty of
MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the
GNU General Public License for more details.
You should have received a copy of the GNU General Public License
along with this program; if not, write to the Free Software
Foundation, Inc., 51 Franklin St, Fifth Floor, Boston, MA 02110-1301 USA
This program incorporates work covered by the following copyright and
permission notices:
b2 is (c) 2001, 2002 Michel Valdrighi - m@tidakada.com -
http://tidakada.com
Wherever third party code has been used, credit has been given in the code's
comments.
b2 is released under the GPL
and
WordPress - Web publishing software
Copyright 2003-2010 by the contributors
WordPress is released under the GPL
---
### GNU GENERAL PUBLIC LICENSE
Version 2, June 1991
Copyright (C) 1989, 1991 Free Software Foundation, Inc.
51 Franklin Street, Fifth Floor, Boston, MA 02110-1301, USA
Everyone is permitted to copy and distribute verbatim copies
of this license document, but changing it is not allowed.
### Preamble
The licenses for most software are designed to take away your freedom
to share and change it. By contrast, the GNU General Public License is
intended to guarantee your freedom to share and change free
software--to make sure the software is free for all its users. This
General Public License applies to most of the Free Software
Foundation's software and to any other program whose authors commit to
using it. (Some other Free Software Foundation software is covered by
the GNU Lesser General Public License instead.) You can apply it to
your programs, too.
When we speak of free software, we are referring to freedom, not
price. Our General Public Licenses are designed to make sure that you
have the freedom to distribute copies of free software (and charge for
this service if you wish), that you receive source code or can get it
if you want it, that you can change the software or use pieces of it
in new free programs; and that you know you can do these things.
To protect your rights, we need to make restrictions that forbid
anyone to deny you these rights or to ask you to surrender the rights.
These restrictions translate to certain responsibilities for you if
you distribute copies of the software, or if you modify it.
For example, if you distribute copies of such a program, whether
gratis or for a fee, you must give the recipients all the rights that
you have. You must make sure that they, too, receive or can get the
source code. And you must show them these terms so they know their
rights.
We protect your rights with two steps: (1) copyright the software, and
(2) offer you this license which gives you legal permission to copy,
distribute and/or modify the software.
Also, for each author's protection and ours, we want to make certain
that everyone understands that there is no warranty for this free
software. If the software is modified by someone else and passed on,
we want its recipients to know that what they have is not the
original, so that any problems introduced by others will not reflect
on the original authors' reputations.
Finally, any free program is threatened constantly by software
patents. We wish to avoid the danger that redistributors of a free
program will individually obtain patent licenses, in effect making the
program proprietary. To prevent this, we have made it clear that any
patent must be licensed for everyone's free use or not licensed at
all.
The precise terms and conditions for copying, distribution and
modification follow.
### TERMS AND CONDITIONS FOR COPYING, DISTRIBUTION AND MODIFICATION
**0.** This License applies to any program or other work which
contains a notice placed by the copyright holder saying it may be
distributed under the terms of this General Public License. The
"Program", below, refers to any such program or work, and a "work
based on the Program" means either the Program or any derivative work
under copyright law: that is to say, a work containing the Program or
a portion of it, either verbatim or with modifications and/or
translated into another language. (Hereinafter, translation is
included without limitation in the term "modification".) Each licensee
is addressed as "you".
Activities other than copying, distribution and modification are not
covered by this License; they are outside its scope. The act of
running the Program is not restricted, and the output from the Program
is covered only if its contents constitute a work based on the Program
(independent of having been made by running the Program). Whether that
is true depends on what the Program does.
**1.** You may copy and distribute verbatim copies of the Program's
source code as you receive it, in any medium, provided that you
conspicuously and appropriately publish on each copy an appropriate
copyright notice and disclaimer of warranty; keep intact all the
notices that refer to this License and to the absence of any warranty;
and give any other recipients of the Program a copy of this License
along with the Program.
You may charge a fee for the physical act of transferring a copy, and
you may at your option offer warranty protection in exchange for a
fee.
**2.** You may modify your copy or copies of the Program or any
portion of it, thus forming a work based on the Program, and copy and
distribute such modifications or work under the terms of Section 1
above, provided that you also meet all of these conditions:
**a)** You must cause the modified files to carry prominent notices
stating that you changed the files and the date of any change.
**b)** You must cause any work that you distribute or publish, that in
whole or in part contains or is derived from the Program or any part
thereof, to be licensed as a whole at no charge to all third parties
under the terms of this License.
**c)** If the modified program normally reads commands interactively
when run, you must cause it, when started running for such interactive
use in the most ordinary way, to print or display an announcement
including an appropriate copyright notice and a notice that there is
no warranty (or else, saying that you provide a warranty) and that
users may redistribute the program under these conditions, and telling
the user how to view a copy of this License. (Exception: if the
Program itself is interactive but does not normally print such an
announcement, your work based on the Program is not required to print
an announcement.)
These requirements apply to the modified work as a whole. If
identifiable sections of that work are not derived from the Program,
and can be reasonably considered independent and separate works in
themselves, then this License, and its terms, do not apply to those
sections when you distribute them as separate works. But when you
distribute the same sections as part of a whole which is a work based
on the Program, the distribution of the whole must be on the terms of
this License, whose permissions for other licensees extend to the
entire whole, and thus to each and every part regardless of who wrote
it.
Thus, it is not the intent of this section to claim rights or contest
your rights to work written entirely by you; rather, the intent is to
exercise the right to control the distribution of derivative or
collective works based on the Program.
In addition, mere aggregation of another work not based on the Program
with the Program (or with a work based on the Program) on a volume of
a storage or distribution medium does not bring the other work under
the scope of this License.
**3.** You may copy and distribute the Program (or a work based on it,
under Section 2) in object code or executable form under the terms of
Sections 1 and 2 above provided that you also do one of the following:
**a)** Accompany it with the complete corresponding machine-readable
source code, which must be distributed under the terms of Sections 1
and 2 above on a medium customarily used for software interchange; or,
**b)** Accompany it with a written offer, valid for at least three
years, to give any third party, for a charge no more than your cost of
physically performing source distribution, a complete machine-readable
copy of the corresponding source code, to be distributed under the
terms of Sections 1 and 2 above on a medium customarily used for
software interchange; or,
**c)** Accompany it with the information you received as to the offer
to distribute corresponding source code. (This alternative is allowed
only for noncommercial distribution and only if you received the
program in object code or executable form with such an offer, in
accord with Subsection b above.)
The source code for a work means the preferred form of the work for
making modifications to it. For an executable work, complete source
code means all the source code for all modules it contains, plus any
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special exception, the source code distributed need not include
anything that is normally distributed (in either source or binary
form) with the major components (compiler, kernel, and so on) of the
operating system on which the executable runs, unless that component
itself accompanies the executable.
If distribution of executable or object code is made by offering
access to copy from a designated place, then offering equivalent
access to copy the source code from the same place counts as
distribution of the source code, even though third parties are not
compelled to copy the source along with the object code.
**4.** You may not copy, modify, sublicense, or distribute the Program
except as expressly provided under this License. Any attempt otherwise
to copy, modify, sublicense or distribute the Program is void, and
will automatically terminate your rights under this License. However,
parties who have received copies, or rights, from you under this
License will not have their licenses terminated so long as such
parties remain in full compliance.
**5.** You are not required to accept this License, since you have not
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Program), you indicate your acceptance of this License to do so, and
all its terms and conditions for copying, distributing or modifying
the Program or works based on it.
**6.** Each time you redistribute the Program (or any work based on
the Program), the recipient automatically receives a license from the
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You are not responsible for enforcing compliance by third parties to
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**7.** If, as a consequence of a court judgment or allegation of
patent infringement or for any other reason (not limited to patent
issues), conditions are imposed on you (whether by court order,
agreement or otherwise) that contradict the conditions of this
License, they do not excuse you from the conditions of this License.
If you cannot distribute so as to satisfy simultaneously your
obligations under this License and any other pertinent obligations,
then as a consequence you may not distribute the Program at all. For
example, if a patent license would not permit royalty-free
redistribution of the Program by all those who receive copies directly
or indirectly through you, then the only way you could satisfy both it
and this License would be to refrain entirely from distribution of the
Program.
If any portion of this section is held invalid or unenforceable under
any particular circumstance, the balance of the section is intended to
apply and the section as a whole is intended to apply in other
circumstances.
It is not the purpose of this section to induce you to infringe any
patents or other property right claims or to contest validity of any
such claims; this section has the sole purpose of protecting the
integrity of the free software distribution system, which is
implemented by public license practices. Many people have made
generous contributions to the wide range of software distributed
through that system in reliance on consistent application of that
system; it is up to the author/donor to decide if he or she is willing
to distribute software through any other system and a licensee cannot
impose that choice.
This section is intended to make thoroughly clear what is believed to
be a consequence of the rest of this License.
**8.** If the distribution and/or use of the Program is restricted in
certain countries either by patents or by copyrighted interfaces, the
original copyright holder who places the Program under this License
may add an explicit geographical distribution limitation excluding
those countries, so that distribution is permitted only in or among
countries not thus excluded. In such case, this License incorporates
the limitation as if written in the body of this License.
**9.** The Free Software Foundation may publish revised and/or new
versions of the General Public License from time to time. Such new
versions will be similar in spirit to the present version, but may
differ in detail to address new problems or concerns.
Each version is given a distinguishing version number. If the Program
specifies a version number of this License which applies to it and
"any later version", you have the option of following the terms and
conditions either of that version or of any later version published by
the Free Software Foundation. If the Program does not specify a
version number of this License, you may choose any version ever
published by the Free Software Foundation.
**10.** If you wish to incorporate parts of the Program into other
free programs whose distribution conditions are different, write to
the author to ask for permission. For software which is copyrighted by
the Free Software Foundation, write to the Free Software Foundation;
we sometimes make exceptions for this. Our decision will be guided by
the two goals of preserving the free status of all derivatives of our
free software and of promoting the sharing and reuse of software
generally.
**NO WARRANTY**
**11.** BECAUSE THE PROGRAM IS LICENSED FREE OF CHARGE, THERE IS NO
WARRANTY FOR THE PROGRAM, TO THE EXTENT PERMITTED BY APPLICABLE LAW.
EXCEPT WHEN OTHERWISE STATED IN WRITING THE COPYRIGHT HOLDERS AND/OR
OTHER PARTIES PROVIDE THE PROGRAM "AS IS" WITHOUT WARRANTY OF ANY
KIND, EITHER EXPRESSED OR IMPLIED, INCLUDING, BUT NOT LIMITED TO, THE
IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR
PURPOSE. THE ENTIRE RISK AS TO THE QUALITY AND PERFORMANCE OF THE
PROGRAM IS WITH YOU. SHOULD THE PROGRAM PROVE DEFECTIVE, YOU ASSUME
THE COST OF ALL NECESSARY SERVICING, REPAIR OR CORRECTION.
**12.** IN NO EVENT UNLESS REQUIRED BY APPLICABLE LAW OR AGREED TO IN
WRITING WILL ANY COPYRIGHT HOLDER, OR ANY OTHER PARTY WHO MAY MODIFY
AND/OR REDISTRIBUTE THE PROGRAM AS PERMITTED ABOVE, BE LIABLE TO YOU
FOR DAMAGES, INCLUDING ANY GENERAL, SPECIAL, INCIDENTAL OR
CONSEQUENTIAL DAMAGES ARISING OUT OF THE USE OR INABILITY TO USE THE
PROGRAM (INCLUDING BUT NOT LIMITED TO LOSS OF DATA OR DATA BEING
RENDERED INACCURATE OR LOSSES SUSTAINED BY YOU OR THIRD PARTIES OR A
FAILURE OF THE PROGRAM TO OPERATE WITH ANY OTHER PROGRAMS), EVEN IF
SUCH HOLDER OR OTHER PARTY HAS BEEN ADVISED OF THE POSSIBILITY OF SUCH
DAMAGES.
### END OF TERMS AND CONDITIONS
### How to Apply These Terms to Your New Programs
If you develop a new program, and you want it to be of the greatest
possible use to the public, the best way to achieve this is to make it
free software which everyone can redistribute and change under these
terms.
To do so, attach the following notices to the program. It is safest to
attach them to the start of each source file to most effectively
convey the exclusion of warranty; and each file should have at least
the "copyright" line and a pointer to where the full notice is found.
one line to give the program's name and an idea of what it does.
Copyright (C) yyyy name of author
This program is free software; you can redistribute it and/or
modify it under the terms of the GNU General Public License
as published by the Free Software Foundation; either version 2
of the License, or (at your option) any later version.
This program is distributed in the hope that it will be useful,
but WITHOUT ANY WARRANTY; without even the implied warranty of
MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the
GNU General Public License for more details.
You should have received a copy of the GNU General Public License
along with this program; if not, write to the Free Software
Foundation, Inc., 51 Franklin Street, Fifth Floor, Boston, MA 02110-1301, USA.
Also add information on how to contact you by electronic and paper
mail.
If the program is interactive, make it output a short notice like this
when it starts in an interactive mode:
Gnomovision version 69, Copyright (C) year name of author
Gnomovision comes with ABSOLUTELY NO WARRANTY; for details
type `show w'. This is free software, and you are welcome
to redistribute it under certain conditions; type `show c'
for details.
The hypothetical commands \`show w' and \`show c' should show the
appropriate parts of the General Public License. Of course, the
commands you use may be called something other than \`show w' and
\`show c'; they could even be mouse-clicks or menu items--whatever
suits your program.
You should also get your employer (if you work as a programmer) or
your school, if any, to sign a "copyright disclaimer" for the program,
if necessary. Here is a sample; alter the names:
Yoyodyne, Inc., hereby disclaims all copyright
interest in the program `Gnomovision'
(which makes passes at compilers) written
by James Hacker.
signature of Ty Coon, 1 April 1989
Ty Coon, President of Vice
This General Public License does not permit incorporating your program
into proprietary programs. If your program is a subroutine library,
you may consider it more useful to permit linking proprietary
applications with the library. If this is what you want to do, use the
[GNU Lesser General Public
License](http://www.gnu.org/licenses/lgpl.html) instead of this
License.
Experimenting with selections, context, and prompts can play a big role in getting a quality result. Make sure to keep in mind the size of the area you are generating and consider working in iterative steps, instead of trying to get the perfect result from a single prompt. Leading enterprises including the Coca-Cola Company, Dick’s Sporting Goods, Major League Baseball, and Marriott International currently use Adobe Experience Platform (AEP) to power their customer experience initiatives. Apparently, you can’t use the new Generative Fill feature until you’ve shared some personal identifying information with the Adobe Behance cloud service. Behance users, by contrast, will have already shared their confidential information with the service and be able to access the Photoshop Generative Fill AI feature.
And with great power comes responsibility so Adobe says it wants to be a trusted partner for creators in a way that is respectful and supportive of the creative community. Adobe Firefly generative AI tools riding shotgun can unlock limitless possibilities to boost productivity and creativity. Every content creator, solopreneur, side hustler, and freelance artist has hit roadblocks, maybe because of their skill level or perhaps a lack of time; it happens. When building a team isn’t possible, Adobe Firefly generative AI can help fill those gaps. Additional credits can be purchased through the Creative Cloud app, but only 100 more per month. That costs $4.99 a month if billed monthly or $49.99 if a full year is paid for up-front.
The recently launched GPU-accelerated Enhance Speech, AI Audio Category Tagging and Filler Word Detection features allow editors to use AI to intelligently cut and modify video scenes. Instead, it maintains that this update to its terms was intended to clarify its improvements to moderation processes. Due to the “explosion” of generative AI, Adobe said it has had to add more human moderation to its content submissions review processes.
Remove Background is a good choice for those looking to build a composite, as simply removing the background is all that is required. However, for some Stock customers, they don’t want a background; they require a different one altogether. It brings new tools like the Generative Shape Fill, so you can add detailed vectors to shapes using just a few descriptive words. Another is a Text to Pattern feature, whichenables the creation of customizable, scalable vector patterns. This update integrates AI in a way that supports and amplifies human creativity, rather than replacing it.
The partnership also aims to modernize content supply chains using GenAI and Adobe Express to deploy innovative workflows, allowing for a more diverse and collaborative team to handle creative tasks. While the companies are yet to reveal further details about any products they will be releasing together, they did outline the following four cross-company integrations that joint customers will be able to access. These work similarly to Adaptive Presets, but they’ll pop up and disappear depending on what’s identified in your image. If a person is smiling, you’ll see Quick Actions relating to whitening teeth, making eyes pop, or realistic skin smoothing, for example. The new Adaptive Presets use AI to scan your image and suggest presets that suit the content of the image best. While they can edit them to your liking, they’ll adapt to what the AI thinks your image needs most.
Illustrator, Adobe’s vector graphics editor, now includes Objects on Path, a feature that allows users to quickly arrange objects along any path on their artboard. The software also boasts Enhanced Image Trace, which Adobe says improves the conversion of images to vectors. Adobe’s flagship image editing software, Photoshop, received several new features.
Around 90% of consumers report enhanced online shopping experiences thanks to AI. Key areas of improvement include product personalization, service recommendations, and the ability to see virtual images of themselves wearing products, with 91% stating this would boost purchase confidence. Adobe made the announcement at the opening keynote of this year’s MAX conference and plans to add this new Firefly generative AI model to Premiere Pro workflows (more on those later).
By clicking the button, I accept the Terms of Use of the service and its Privacy Policy, as well as consent to the processing of personal data. Read our digital arts trends 2025 article and our 3D art trends 2025 feature for the latest tech, style and workflow predictions. “For best results when using Gen Remove is to make sure you brush the object you’re trying to remove completely including shadows and reflection. Any leftover fragments, no matter how small, will cause the AI to think it needs to attach a new object to that leftover piece. The GIP Digital Watch Observatory team, consisting of over 30 digital policy experts from around the world, excels in the fields of research and analysis on digital policy issues. The team is backed by the creative prowess of Creative Lab Diplo and the technical expertise of the Diplo tech team.
Historical investment performances are no indication or guarantee of future success or performance. We make no representations or warranties regarding the advisability of investing in any particular securities or utilizing any specific investment strategies. Adobe has embedded AI technologies into its existing products like Photoshop, Illustrator and Premiere Pro, giving users more reasons to use its software, Durn said. Digital media and marketing software firm Adobe (ADBE) impressed Wall Street analysts with generative AI innovations at the start of its Adobe Max conference on Monday. You can now remove video backgrounds in Express, allowing you to apply the same edits to your content whether you’re using a photo or a video of a cut-out subject. Adobe Express introduced a Dynamic Reflow Text tool, allowing you to easily resize your Express artboards—using the latest generative expand resize tool—and the text will dynamically flow to fit the space you’ve created.
These include Distraction Removal, which uses AI to eliminate unwanted elements from images, and Generative Workspace, a tool for simultaneous ideation and concept development. The company, which produces software such as Photoshop and Illustrator, unveiled over 100 new capabilities for its Creative Cloud platform, many of which leverage artificial intelligence to enhance content creation and editing processes. Adobe, known for its creative and marketing tools, has announced a suite of new features and products at its annual MAX conference in Miami Beach. Set to debut in beta form, the video expansion to the Firefly tool will integrate with Adobe’s flagship video editing software, Premiere Pro. This integration aims to streamline common editorial tasks and expand creative possibilities for video professionals.
The company’s latest Firefly Vector AI model is at the heart of these enhancements, promising to significantly accelerate creative workflows for graphic designers, fashion designers, interior designers or professional creatives. In a separate Adobe Community post, a professional photographer says they use generative fill “thousands of times per day” to “repair” their images. When Adobe debuted the Firefly-powered Generative Remove tool in Adobe Lightroom and Adobe Camera Raw in May as a beta feature, it worked well much of the time. However, Generative Remove, now officially out of its beta period, has confusingly gotten worse in some situations. Adobe’s Generative Fill and Expand tools can be frustrating, but with the right techniques, they can also be very useful.
That’s a key distinction, as Photoshop’s existing AI-based removal tools require the editor to use a brush or selection tool to highlight the part of the image to remove. In previews, Adobe demonstrated how the tool could be used to remove power lines and people from the background without masking. The third AI-based tool for video that the company announced at the start of Adobe Max is the ability to create a video from a text prompt. While text to video is Adobe’s video variation of creating something from nothing, the company also noted that it can be used to create overlays, animations, text graphics or B-roll to add to existing created-with-a-camera video. It’s based on Generative Fill, but rather than replacing a user-selected portion of an image with AI-generated content, it automatically detects and replaces the background of the image.
Behind the scenes: How Paramount+ used Adobe Firefly generative AI in a social media campaign for the movie IF.
Posted: Mon, 09 Dec 2024 08:00:00 GMT [source]
The Generative Shape Fill tool is powered by the latest beta version of Firefly Vector Model which offers extra speed, power and precision. It includes text-to-image and generative fill, video templates, stock music, image and design assets, and quick-action editing tools to help you create content easily on the go. Once you have created content, you can plan, preview, and publish it to TikTok, Instagram, Facebook, and Pinterest without leaving the app. Recognising the growing need for efficient collaboration in creative workflows, Adobe announced the general availability of a new version of Frame.io.
Some of you might leave since you can’t pay the annual fee upfront or afford the monthly increase. We can hardly be bothered as we need more cash to come up with more and more AI-related gimmicks that photographers like you will hardly ever use. It’s not so much that Adobe’s tools don’t work well, it’s more the manner of how they’re not working well — if we weren’t trying to get work done, some of these results would be really funny. In the case of the Bitcoin thing, it just seems like it’s trying to replace the painted pixels with something similar in shape to the detected “object” the user is trying to remove. Last week, I struggled to get any of Adobe’s generative or content-aware tools to extend a background and cover an area for a thumbnail I was working on for our YouTube channel. Previous to the updates last year, the tasks I asked Photoshop to handle were done quickly and without issue.
Adobe is listening to feedback and making tweaks, but AI inconsistencies point toward a broader issue. Generative AI is still a nascent technology and, clearly, not one that exclusively improves with time. Sometimes it gets worse, and for those with an AI-reliant workflow, that’s a problem that undercuts the utility of generative AI tools altogether.
The Adobe Firefly Video Model — now available in limited beta at Firefly.Adobe.com — brings generative AI to video, marking the next advancement in video editing. It allows users to create and edit video clips using simple text prompts or images, helping fill in content gaps without having to reshoot, extend or reframe takes. It can also be used to create video clip prototypes as inspiration for future shots. Adobe unveiled its Firefly Video Model last month, previewing a variety of new generative AI video features. Today, the Firefly Video Model has officially launched in public beta and is the first publicly available generative video model designed to be commercially safe.
That covers the main set of controls which overlay the right of your image – but there is a smaller set of controls on the left that we must explore as well. Back up to the set of three controls, the middle option allows you to initiate a Download of the selected image. As Firefly begins preparing the image for download, a small overlay dialog appears.
There are also Text to Pattern, Style Reference and more workflow enhancements that can seriously speed up tedious design and drawing tasks enabling designers to dive deeper into their work. Everything from the initial conception of an idea through to final production is getting a helping hand from AI. If you do happen to have a team around you, features like brand kits, co-editing, and commenting will aid in faster, more seamless collaboration.
Adobe is using AI to make the creative process of designing graphics much easier and quicker, … [+] leaving users of programs like Illustrator and Photoshop free to spend more time with the creative process. Adobe has some language included that appears to be a holdover from the initial launch of Firefly. For example, the company stipulates that the Credit consumption rates above are for what it calls “standard images” that have a resolution of up to 2,000 by 2,000 pixels — the original maximum resolution of Firefly generative AI. Along that same line of thinking, Adobe says that it hasn’t provided any notice about these changes to most users since it’s not enforcing its limits for most plans yet.
To date, Firefly has been used by numerous Adobe enterprise customers to optimize workflows and scale content creation, including PepsiCo/Gatorade, IBM, Mattel, and more. This concern stems from the idea that eventually, AI-generated content will make up a large portion of training data, and the results will be AI slop — wonky, erroneous or unusable images. The self-perpetuating cycle would eventually render the tools useless, and the quality of the results would be degraded. It’s especially worrisome for artists who feel their unique styles are already being co-opted by generators, resulting in ongoing lawsuits over copyright infringement concerns.
But as the Lenovo example shows, there’s a lot of careful groundwork required to safely harness the potential of this new technology. If you look at the amount of content that we need to achieve end-to-end personalization, it’s pretty astronomical. To give you an example, we just launched a campaign for four products across eight marketing channels, four languages, and three variations. Speeding up content delivery in this way means that teams are then able to adjust and fine-tune the experience in real-time as trends or needs change.
However, at the moment, these latest generative AI tools, many of which were speeding up their workflows in recent months, are now slowing them down thanks to strange, mismatched, and sometimes baffling results. “The generative fill was almost perfect in the previous version of Photoshop to complete this task. Since I updated to the newest version (26.0.0), I get very absurd results,” the user explains. Since the update, generative fill adds objects to a person, including a rabbit and letters on a person’s face. Illustrator and Photoshop have received GenAI tools with the goal of improving user experience and allowing more freedom for users to express their creativity and skills. Our commitment to evolving our assessment approach as technology advances is what helps Adobe balance innovation with ethical responsibility.
We gather data from the best available sources, including vendor and retailer listings as well as other relevant and independent reviews sites. And we pore over customer reviews to find out what matters to real people who already own and use the products and services we’re assessing. GhostGPT can also be used for coding, with the blog post noting marketing related to malware creation and exploit development. Malware authors are increasingly leveraging AI coding assistance, and tools like GhostGPT, which lack the typical guardrails of other large language models (LLMs), can save criminals time spent jailbreaking mainstream tools like ChatGPT. Media Intelligence automatically recognises clip content, including people, objects, locations, camera angles, camera type and more. This allows editors to simply type out the clip type needed in the new Search Panel, which displays interactive visual results, transcripts, and other metadata results from across an entire project.
An Adobe representative says that today, it does have in-app notifications in Adobe Express — an app where credits are enforced. Once Adobe does enforce Generative Credits in Photoshop and Lightroom, the company says users can absolutely expect an in-app notification to that effect. As part of the original story below, PetaPixel also added a line stating that in-app notifications are being used in Adobe Express to let users know about Generative Credits use. Looking ahead, Adobe forecast fiscal fourth-quarter revenue of between $5.5 billion and $5.55 billion, representing growth of between 9% to 10%.
In addition, Adobe is adding a neat feature to the Remove tool, which lets you delete people and objects from an image with ease, like Google’s Magic Eraser. With Distraction Removal, you can remove certain common elements with a single click. For instance, it can scrub unwanted wires and cables, and remove tourists from your travel photos. Adobe is joining several other players in the generative AI (GAI) space by rolling out its own model. The Firefly Video Model is powering a number of features across the company’s wide array of apps.
It works great for removing cables and wires that distract from a beautiful skyscape. This really begins with defining our brand and channel guidelines as well as personas in order to generate content that is on-brand and supports personalization across our many segments. The rapid adoption of generative AI has certainly created chaos inside and outside of the creative industry. Adobe has tried to mitigate some of the confusion and concerns that come with gen AI, but it clearly believes this is the way of the future. Even though Adobe creators are excited about specific AI tools, they still have serious concerns about AI’s overall impact on the industry.
One capability generates visual assets similar to the one highlighted by a designer. The others can embed new objects into an image, modify the background and perform related tasks. Some of the capabilities are rolling out to the company’s video editing applications. The others will mostly become available in Adobe’s suite of image editing tools, including Photoshop. For photographers not opposed to generative AI in their photo editing workflows, Generative Remove and other generative AI tools like Generative Fill and Generative Expand have become indispensable.
]]>Experimenting with selections, context, and prompts can play a big role in getting a quality result. Make sure to keep in mind the size of the area you are generating and consider working in iterative steps, instead of trying to get the perfect result from a single prompt. Leading enterprises including the Coca-Cola Company, Dick’s Sporting Goods, Major League Baseball, and Marriott International currently use Adobe Experience Platform (AEP) to power their customer experience initiatives. Apparently, you can’t use the new Generative Fill feature until you’ve shared some personal identifying information with the Adobe Behance cloud service. Behance users, by contrast, will have already shared their confidential information with the service and be able to access the Photoshop Generative Fill AI feature.
And with great power comes responsibility so Adobe says it wants to be a trusted partner for creators in a way that is respectful and supportive of the creative community. Adobe Firefly generative AI tools riding shotgun can unlock limitless possibilities to boost productivity and creativity. Every content creator, solopreneur, side hustler, and freelance artist has hit roadblocks, maybe because of their skill level or perhaps a lack of time; it happens. When building a team isn’t possible, Adobe Firefly generative AI can help fill those gaps. Additional credits can be purchased through the Creative Cloud app, but only 100 more per month. That costs $4.99 a month if billed monthly or $49.99 if a full year is paid for up-front.
The recently launched GPU-accelerated Enhance Speech, AI Audio Category Tagging and Filler Word Detection features allow editors to use AI to intelligently cut and modify video scenes. Instead, it maintains that this update to its terms was intended to clarify its improvements to moderation processes. Due to the “explosion” of generative AI, Adobe said it has had to add more human moderation to its content submissions review processes.
Remove Background is a good choice for those looking to build a composite, as simply removing the background is all that is required. However, for some Stock customers, they don’t want a background; they require a different one altogether. It brings new tools like the Generative Shape Fill, so you can add detailed vectors to shapes using just a few descriptive words. Another is a Text to Pattern feature, whichenables the creation of customizable, scalable vector patterns. This update integrates AI in a way that supports and amplifies human creativity, rather than replacing it.
The partnership also aims to modernize content supply chains using GenAI and Adobe Express to deploy innovative workflows, allowing for a more diverse and collaborative team to handle creative tasks. While the companies are yet to reveal further details about any products they will be releasing together, they did outline the following four cross-company integrations that joint customers will be able to access. These work similarly to Adaptive Presets, but they’ll pop up and disappear depending on what’s identified in your image. If a person is smiling, you’ll see Quick Actions relating to whitening teeth, making eyes pop, or realistic skin smoothing, for example. The new Adaptive Presets use AI to scan your image and suggest presets that suit the content of the image best. While they can edit them to your liking, they’ll adapt to what the AI thinks your image needs most.
Illustrator, Adobe’s vector graphics editor, now includes Objects on Path, a feature that allows users to quickly arrange objects along any path on their artboard. The software also boasts Enhanced Image Trace, which Adobe says improves the conversion of images to vectors. Adobe’s flagship image editing software, Photoshop, received several new features.
Around 90% of consumers report enhanced online shopping experiences thanks to AI. Key areas of improvement include product personalization, service recommendations, and the ability to see virtual images of themselves wearing products, with 91% stating this would boost purchase confidence. Adobe made the announcement at the opening keynote of this year’s MAX conference and plans to add this new Firefly generative AI model to Premiere Pro workflows (more on those later).
By clicking the button, I accept the Terms of Use of the service and its Privacy Policy, as well as consent to the processing of personal data. Read our digital arts trends 2025 article and our 3D art trends 2025 feature for the latest tech, style and workflow predictions. “For best results when using Gen Remove is to make sure you brush the object you’re trying to remove completely including shadows and reflection. Any leftover fragments, no matter how small, will cause the AI to think it needs to attach a new object to that leftover piece. The GIP Digital Watch Observatory team, consisting of over 30 digital policy experts from around the world, excels in the fields of research and analysis on digital policy issues. The team is backed by the creative prowess of Creative Lab Diplo and the technical expertise of the Diplo tech team.
Historical investment performances are no indication or guarantee of future success or performance. We make no representations or warranties regarding the advisability of investing in any particular securities or utilizing any specific investment strategies. Adobe has embedded AI technologies into its existing products like Photoshop, Illustrator and Premiere Pro, giving users more reasons to use its software, Durn said. Digital media and marketing software firm Adobe (ADBE) impressed Wall Street analysts with generative AI innovations at the start of its Adobe Max conference on Monday. You can now remove video backgrounds in Express, allowing you to apply the same edits to your content whether you’re using a photo or a video of a cut-out subject. Adobe Express introduced a Dynamic Reflow Text tool, allowing you to easily resize your Express artboards—using the latest generative expand resize tool—and the text will dynamically flow to fit the space you’ve created.
These include Distraction Removal, which uses AI to eliminate unwanted elements from images, and Generative Workspace, a tool for simultaneous ideation and concept development. The company, which produces software such as Photoshop and Illustrator, unveiled over 100 new capabilities for its Creative Cloud platform, many of which leverage artificial intelligence to enhance content creation and editing processes. Adobe, known for its creative and marketing tools, has announced a suite of new features and products at its annual MAX conference in Miami Beach. Set to debut in beta form, the video expansion to the Firefly tool will integrate with Adobe’s flagship video editing software, Premiere Pro. This integration aims to streamline common editorial tasks and expand creative possibilities for video professionals.
The company’s latest Firefly Vector AI model is at the heart of these enhancements, promising to significantly accelerate creative workflows for graphic designers, fashion designers, interior designers or professional creatives. In a separate Adobe Community post, a professional photographer says they use generative fill “thousands of times per day” to “repair” their images. When Adobe debuted the Firefly-powered Generative Remove tool in Adobe Lightroom and Adobe Camera Raw in May as a beta feature, it worked well much of the time. However, Generative Remove, now officially out of its beta period, has confusingly gotten worse in some situations. Adobe’s Generative Fill and Expand tools can be frustrating, but with the right techniques, they can also be very useful.
That’s a key distinction, as Photoshop’s existing AI-based removal tools require the editor to use a brush or selection tool to highlight the part of the image to remove. In previews, Adobe demonstrated how the tool could be used to remove power lines and people from the background without masking. The third AI-based tool for video that the company announced at the start of Adobe Max is the ability to create a video from a text prompt. While text to video is Adobe’s video variation of creating something from nothing, the company also noted that it can be used to create overlays, animations, text graphics or B-roll to add to existing created-with-a-camera video. It’s based on Generative Fill, but rather than replacing a user-selected portion of an image with AI-generated content, it automatically detects and replaces the background of the image.
Behind the scenes: How Paramount+ used Adobe Firefly generative AI in a social media campaign for the movie IF.
Posted: Mon, 09 Dec 2024 08:00:00 GMT [source]
The Generative Shape Fill tool is powered by the latest beta version of Firefly Vector Model which offers extra speed, power and precision. It includes text-to-image and generative fill, video templates, stock music, image and design assets, and quick-action editing tools to help you create content easily on the go. Once you have created content, you can plan, preview, and publish it to TikTok, Instagram, Facebook, and Pinterest without leaving the app. Recognising the growing need for efficient collaboration in creative workflows, Adobe announced the general availability of a new version of Frame.io.
Some of you might leave since you can’t pay the annual fee upfront or afford the monthly increase. We can hardly be bothered as we need more cash to come up with more and more AI-related gimmicks that photographers like you will hardly ever use. It’s not so much that Adobe’s tools don’t work well, it’s more the manner of how they’re not working well — if we weren’t trying to get work done, some of these results would be really funny. In the case of the Bitcoin thing, it just seems like it’s trying to replace the painted pixels with something similar in shape to the detected “object” the user is trying to remove. Last week, I struggled to get any of Adobe’s generative or content-aware tools to extend a background and cover an area for a thumbnail I was working on for our YouTube channel. Previous to the updates last year, the tasks I asked Photoshop to handle were done quickly and without issue.
Adobe is listening to feedback and making tweaks, but AI inconsistencies point toward a broader issue. Generative AI is still a nascent technology and, clearly, not one that exclusively improves with time. Sometimes it gets worse, and for those with an AI-reliant workflow, that’s a problem that undercuts the utility of generative AI tools altogether.
The Adobe Firefly Video Model — now available in limited beta at Firefly.Adobe.com — brings generative AI to video, marking the next advancement in video editing. It allows users to create and edit video clips using simple text prompts or images, helping fill in content gaps without having to reshoot, extend or reframe takes. It can also be used to create video clip prototypes as inspiration for future shots. Adobe unveiled its Firefly Video Model last month, previewing a variety of new generative AI video features. Today, the Firefly Video Model has officially launched in public beta and is the first publicly available generative video model designed to be commercially safe.
That covers the main set of controls which overlay the right of your image – but there is a smaller set of controls on the left that we must explore as well. Back up to the set of three controls, the middle option allows you to initiate a Download of the selected image. As Firefly begins preparing the image for download, a small overlay dialog appears.
There are also Text to Pattern, Style Reference and more workflow enhancements that can seriously speed up tedious design and drawing tasks enabling designers to dive deeper into their work. Everything from the initial conception of an idea through to final production is getting a helping hand from AI. If you do happen to have a team around you, features like brand kits, co-editing, and commenting will aid in faster, more seamless collaboration.
Adobe is using AI to make the creative process of designing graphics much easier and quicker, … [+] leaving users of programs like Illustrator and Photoshop free to spend more time with the creative process. Adobe has some language included that appears to be a holdover from the initial launch of Firefly. For example, the company stipulates that the Credit consumption rates above are for what it calls “standard images” that have a resolution of up to 2,000 by 2,000 pixels — the original maximum resolution of Firefly generative AI. Along that same line of thinking, Adobe says that it hasn’t provided any notice about these changes to most users since it’s not enforcing its limits for most plans yet.
To date, Firefly has been used by numerous Adobe enterprise customers to optimize workflows and scale content creation, including PepsiCo/Gatorade, IBM, Mattel, and more. This concern stems from the idea that eventually, AI-generated content will make up a large portion of training data, and the results will be AI slop — wonky, erroneous or unusable images. The self-perpetuating cycle would eventually render the tools useless, and the quality of the results would be degraded. It’s especially worrisome for artists who feel their unique styles are already being co-opted by generators, resulting in ongoing lawsuits over copyright infringement concerns.
But as the Lenovo example shows, there’s a lot of careful groundwork required to safely harness the potential of this new technology. If you look at the amount of content that we need to achieve end-to-end personalization, it’s pretty astronomical. To give you an example, we just launched a campaign for four products across eight marketing channels, four languages, and three variations. Speeding up content delivery in this way means that teams are then able to adjust and fine-tune the experience in real-time as trends or needs change.
However, at the moment, these latest generative AI tools, many of which were speeding up their workflows in recent months, are now slowing them down thanks to strange, mismatched, and sometimes baffling results. “The generative fill was almost perfect in the previous version of Photoshop to complete this task. Since I updated to the newest version (26.0.0), I get very absurd results,” the user explains. Since the update, generative fill adds objects to a person, including a rabbit and letters on a person’s face. Illustrator and Photoshop have received GenAI tools with the goal of improving user experience and allowing more freedom for users to express their creativity and skills. Our commitment to evolving our assessment approach as technology advances is what helps Adobe balance innovation with ethical responsibility.
We gather data from the best available sources, including vendor and retailer listings as well as other relevant and independent reviews sites. And we pore over customer reviews to find out what matters to real people who already own and use the products and services we’re assessing. GhostGPT can also be used for coding, with the blog post noting marketing related to malware creation and exploit development. Malware authors are increasingly leveraging AI coding assistance, and tools like GhostGPT, which lack the typical guardrails of other large language models (LLMs), can save criminals time spent jailbreaking mainstream tools like ChatGPT. Media Intelligence automatically recognises clip content, including people, objects, locations, camera angles, camera type and more. This allows editors to simply type out the clip type needed in the new Search Panel, which displays interactive visual results, transcripts, and other metadata results from across an entire project.
An Adobe representative says that today, it does have in-app notifications in Adobe Express — an app where credits are enforced. Once Adobe does enforce Generative Credits in Photoshop and Lightroom, the company says users can absolutely expect an in-app notification to that effect. As part of the original story below, PetaPixel also added a line stating that in-app notifications are being used in Adobe Express to let users know about Generative Credits use. Looking ahead, Adobe forecast fiscal fourth-quarter revenue of between $5.5 billion and $5.55 billion, representing growth of between 9% to 10%.
In addition, Adobe is adding a neat feature to the Remove tool, which lets you delete people and objects from an image with ease, like Google’s Magic Eraser. With Distraction Removal, you can remove certain common elements with a single click. For instance, it can scrub unwanted wires and cables, and remove tourists from your travel photos. Adobe is joining several other players in the generative AI (GAI) space by rolling out its own model. The Firefly Video Model is powering a number of features across the company’s wide array of apps.
It works great for removing cables and wires that distract from a beautiful skyscape. This really begins with defining our brand and channel guidelines as well as personas in order to generate content that is on-brand and supports personalization across our many segments. The rapid adoption of generative AI has certainly created chaos inside and outside of the creative industry. Adobe has tried to mitigate some of the confusion and concerns that come with gen AI, but it clearly believes this is the way of the future. Even though Adobe creators are excited about specific AI tools, they still have serious concerns about AI’s overall impact on the industry.
One capability generates visual assets similar to the one highlighted by a designer. The others can embed new objects into an image, modify the background and perform related tasks. Some of the capabilities are rolling out to the company’s video editing applications. The others will mostly become available in Adobe’s suite of image editing tools, including Photoshop. For photographers not opposed to generative AI in their photo editing workflows, Generative Remove and other generative AI tools like Generative Fill and Generative Expand have become indispensable.
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